What is it? |
- An autobiographical dramatic monologue which details the coming of age of a young girl
- Subverts the piece of “Little Red Riding Hood” by reversing the power imbalance between the wolf and Red as she matures
- It explores many themes in the anthology, such as maturity, oppression and liberation, which makes it a suitable start to the anthology
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What is the modern day context? |
- Duffy’s personal life and her first husband (Jackie Kay) who was 15 years older than her, and she eventually realised the relationship was inappropriate
- 15 years older than her = tried to be seductive, did not stay together
- As a young woman ⇒ she was really in love ⇒ only sex/poetry
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Thesis: Makes a point about how women can empower themselves as time progresses.
Although they may be attractive to certain types of men at their youth, as they mature – they can be better than aggressive and boring old men whilst challenging a patriarchal society. |
Point |
Explanation |
Evidence |
Initial innocence and naivety |
Holophrase (one word sentence) and caesura
- Rhyme – suggests innocence, joyful, youthful nature, upbeat
- “Babe” – girly, property of men
- Contrasts with the internal rhyme of “paw” and “jaw” of men ⇒ animalistic features, predatory nature
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“Sweet sixteen, never been” |
Love for poetry and attraction
- Words were truly alive ⇒ metaphor, liveliness, satisfaction
- “Warm, beating, frantic” – asyndeton, she is overwhelmed by the complexity and wonder
- Rhythm of heartbeat, full of life and warmth ⇒ excitement, thrilling sensation, passion
- Speeds up the pace of the poem
- She feels empowered “winged” ⇒ freedom
- Upon introduction – she is in awe, but is not satisfied at the end
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“Warm, beating, frantic, winged” |
HOWEVER…
- I made sure he spotted me
- Subversion ⇒ she lured the wolf for poetry?
- ‘The wolf, I knew, would lead me deep’ ⇒ she is manipulative, she is one step ahead ⇒ imperative
- “Gold book”s = like a gold digger ⇒ she exploits men for something
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All women start off as being naive and innocent, excited at what they can get from being with men, until they realise they can achieve more. |
Characterisation of the wolf = representative of all men in the literary world |
It is attractive
- Sexual and impulsive curiosity
- “What big eyes he had! What teeth!” ⇒ direct play on the real story ⇒ subvert the story because Little Red liberates herself and doesn’t get eaten.
- Limited vocabulary ⇒ childlike nature
- Exclamation ⇒ slows down the pace of the poem, she is in awe
- “Here’s why. Poetry” ⇒ hypophora, short syntax, confident and assertive
- Books on a single line
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“What big eyes he had! What teeth!” |
It is violent and sinister
- “Dark tangled thorny” place ⇒ semantic field of dread, darkness, evil (adjectives)
- “Eyes of owls” – she is away from home, but judged by society, eying her every move (even in the night), no privacy ⇒ nocturnal animals
- “Ripped” “snagged”, “Scraps”, harsh plosive sounds suggest the violent nature of the wolf’s treatment
- Sexual experience, euphemistic ⇒ loss of virginity and identity in the process ⇒ loses a bit of RED lol . .. .
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“Dark tangled thorny”
“Eyes of owls”
“Ripped” “snagged”, “Scraps” |
It is boring
- Season after season, same rhyme, same reason
- Internal rhyme highlights the repetitive nature, which fuels her desire to escape
- Her initial attraction to the poetry and literature is boring, trivial, she has moved on ⇒ she is more than he can offer
- Shift in tone throughout the stanzas
- “Greying” “Howls” ⇒ unpleasant, desperate, growing old, lack of life and rejuvenation
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“Season after season, same rhyme, same reason”
“Greying” “Howls” |
Men are unlikeable, superficially attractive but eventually, women see through the shallowness. Duffy can get a better life elsewhere, she can write her own stories. She does have to go through some difficulties though. |
Growth in maturity and coming of age of Red |
Symbolism
- White dove ⇒ white is pure, dove is innocent, religious connotations of peace and hope
- Doves are free and independent ⇒ to be dead shows her complete loss of childhood naivety
- Colour white is repeated in the last stanza “virgin white” of grandmother’s bones ⇒ completely different, unpleasant imagery
- Perhaps she is reminiscent of her Grandma’s inability to escape the wolf, which makes her growth in maturity so much more powerful for the reader
- “Stained red” ⇒ he left a mark in her life
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White dove, one bite, dead. |
Violent nature which is downplayed by the language
- Willow wept, salmon lept, wolf as he slept
- Sleep, most innocent and vulnerable
- “To see, to see, to kill” ⇒ experimentation turns into actual action when she is aware of exactly what she is doing
- There is a growing buildup/progression, as the objects she cuts gets larger and fuller with life
- Rhyme suggests the trivial, equal nature of objects, lack of remorse towards the wolf/image of her husband
- One chop, scrotum to throat
- Graphic, vivid picture
- Similar to the “one bite” of the dove ⇒ as if Red mirrors the actions of the wolf
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“To see, to see, to kill”
Willow wept, salmon lept, wolf as he slept
“One chop, scrotum to throat” |
Literary growth
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- Structure = free verse ⇒ little internal rhyme or poetic structure
- Each stanza has enjambment which increases the flow of the poem, it is quite an exciting one = exciting journey of liberation
- “Mushroom stoppers the mouth, birds are the uttered thought of trees” ⇒ these images are like examples of where Duffy provides her own vivid descriptions, shows HER BIRTH AS A WRITER and POET after 10 years
- OR could also be the fact that decay (mushrooms, virus, bacteria) will stop the mouth from producing poetry ⇒ she has to get away
Last line
- “Flowers, singing, all alone”
- Happy, sweet, pure, she is independent
- Emerges as a mature individual
- Demeter starts (anthology may be cyclical) ⇒ great link between start and finish.
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After women have been empowered, men have been challenged in their traditional roles (and may even be seen as oppressed by some), and a woman finds her independence |
Conclusion:
- She overcomes what her grandmother did not ⇒ progressiveness of the feminist movement and how literature can be written by women ⇒ challenge the patriarchal society.
- Encapsulates ALL aspects of the World’s Wife
- Naivety and innocence of females
- Mistreatment by males
- Subversion of roles ⇒ Red becomes the aggressor
- In the end, they achieve independence through self-realization and self-fulfillment
- Nice start to WW, as Demeter ends with a girl coming out with flowers.
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